Generate a movie poster-style portrait based on the user-provided photo. The cor…

Generate a movie poster-style portrait based on the user-provided photo. The core concept is a massive, pure color field supporting subjects nestled at the edge of the frame, each looking up at the sky. Approximately three-quarters of the entire image is a clean, saturated, unblemished monochrome field, like an infinitely distant sky, creating a sense of spaciousness, longing, and summer-like breathing room. The subjects occupy only a narrow strip of about one-quarter of the frame, leaving the vast majority of space to the empty color field. The composition adapts to the aspect ratio: in a vertical format, subjects are aligned at the bottom edge in a low horizontal row, with the sky extending upwards; in a horizontal format, subjects are aligned along one side (e.g., the left) in a vertical row, with the empty color field spreading widely to the other side (e.g., the right). Text is placed within this open space. Regardless of orientation, subjects and text remain separated, with negative space dominating. The camera angle must be an extreme low angle, looking up from below (worm's-eye view): each character's head is tilted back, chin raised, throat exposed, face gazing upwards towards the empty color field above. The viewer primarily sees the underside of the jaw and the silhouette of the side profile or three-quarter profile – characters never face the camera directly, never make eye contact at eye level, do not pose for frontal ID-style portraits, and their gaze is directed towards the sky above, not at the viewer. Only the head, shoulders, and a small portion of the upper body are visible, with the bottom edge naturally cropped by the frame. The subjects are not limited in any way; they must be exactly as they appear in the input photo. Their identity, number, type, and combination must strictly adhere to the original photo, corresponding one-to-one, without any proliferation, duplication, reproduction, or addition of extraneous objects beyond the frame. The key 'nestled' pose is leaning against each other, not looking at the same point: subjects are back-to-back, head-to-head, or one rests their back of the head or side of the head on the other's shoulder/neck, leaning away from or in different directions. Each subject tilts their head back towards their own side of the sky, with eyes unfocused and looking into the expansive color field in different directions, rather than converging on a single focal point. Each subject maintains a raised chin, looking upwards, conveying an overall mood of closeness, intimacy, yet individual reverie. Unless the user explicitly requests repetition or mirroring, do not duplicate the same face or object. In the empty space far from the subjects, place handwritten title text with brush strokes, slight connecting strokes, and a casual, slightly slanted, hand-drawn feel, arranged in two to three scattered lines. Use a bright accent color that contrasts warmly with the main color field (a bright yellow hue, adjustable based on theme and mood), making the text appear like a personal signature floating in the air. The default title text is the handwritten English "Call Me By Your Name", only replaced with user-specified content if provided. Title placement adapts to aspect ratio: in vertical format, it's centered in the upper empty space; in horizontal format, it's centered in the large negative space opposite the subjects. Above the title, place a line of smaller, thin explanatory text (defaulting to a "a film by ..." style). Below the title, place two to three lines of smaller, accented or white uppercase informational text (defaulting to cinema release and tag-like short phrases such as "IN SELECT THEATERS / NOVEMBER 24 / #CMBYN", user-customizable). The vertical version may also have several lines of very small white critical quote-style phrases stacked in the center at the very top, and a line of white uppercase main cast names along the bottom edge, along with a block of fine, low-key small print copyright information, forming a complete movie poster text hierarchy. The default main color field is a pure, saturated, slightly deep cobalt blue/azure – like a clear summer noon sky blue, approximately #0A66AC (very low red, medium green, high blue), distinctly blue and not greenish, grayish, purplish, pinkish-blue, or navy/ink blue. This is replaced only if the user specifies a different theme color, in which case the same purity, saturation, and high lightness relationship must be maintained. The overall color scheme is: a dominant single large area of pure, high-lightness color field, a warm handwritten accent color (default bright yellow) for highlights, white text for information, and subjects retaining their real, natural skin and clothing colors. The image should be bright, transparent, clean, and saturated without being dirty, carrying a gentle atmosphere of openness and longing. Even with deeper color fields, maintain a clear sense of light, distinct color gradations, and breathable negative space, avoiding grays, dullness, muddiness, or a vintage look. Visual weight is firmly concentrated on the contrast between the vast empty space and the subjects looking up at the edge, with subjects never dominating the frame, never shot at eye level, and never losing the large areas of negative space and upward, outward gazes. --ar 16:9 --style raw